Almost exactly a hundred years ago, Kokoschka (1886 Pöchlarn – 1980 Montreux) is appointed to a professorship at the Dresden Academy of Fine Arts, where he embarks on a mission to overhaul the teaching methods. His time in the city known as “Florence on the Elbe” lasts, with a few interruptions, from 1916 to 1923. Kokoschka forges close relationships with Expressionist circles and paints a large number of portraits. Stimulated by the city’s vibrant artistic life, he experiments with various techniques during a period of great creativity in which he comes to terms with the events of the First World War and recovers from his injuries. “I was able to do anything I wanted in Dresden at that time,” he confesses in his autobiography.

![Oskar Kokoschka, Mädchen mit grüner Schürze [Jeune fille au tablier vert], 1921
(novembre), aquarelle sur papier. Fondation Oskar Kokoschka, Vevey © Fondation
Oskar Kokoschka 2021, ProLitteris, Zurich © Photographie Julien Gremaud](https://museejenisch.ch/api/site/assets/files/1913/capture_de_cran_2021-12-18_a_11_10_56-1.0x400.png)


![Oskar Kokoschka, Orpheus und Eurydike – Orpheus begrüsst Eurydike [Orphée et
Eurydice – Orphée salue Eurydice], 1918, pointe sèche sur papier. Fondation
Oskar Kokoschka, Vevey © Fondation Oskar Kokoschka 2021, ProLitteris, Zurich ©
Photographie Julien Gremaud](https://museejenisch.ch/api/site/assets/files/1917/capture_de_cran_2021-12-18_a_11_12_15.0x400.png)
![Oskar Kokoschka, Mutter und Kind [Mère et enfant], 1921, huile sur toile. Musée
Jenisch Vevey © Fondation Oskar Kokoschka 2021, ProLitteris, Zurich ©
Photographie Fondation Oskar Kokoschka](https://museejenisch.ch/api/site/assets/files/1915/capture_de_cran_2021-12-18_a_11_11_55.0x400.png)
